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Seen the whole series several times. Very interesting story behind the last 2 episodes. Spoiler alert- the butler did NOT do it!
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No 6 should have taken a pin with him.
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Thanks for that gin, will record it.
The Prisoner is a 17-episode British television series[2] first broadcast in Canada beginning on September 6, 1967 then in the United Kingdom on 29 September 1967 and in the USA on June 1, 1968.[3] It stars and was co-created by Patrick McGoohan, and combines spy fiction with elements of science fiction, allegory and psychological drama.[2] The series follows a British former secret agent who is abducted and held prisoner in a mysterious coastal village resort, where his captors try to find out why he abruptly resigned from his job. Although the show was sold as a thriller in the mould of the previous series starring McGoohan, Danger Man (1960–68; retitled as Secret Agent in the U.S.), its combination of 1960s countercultural themes and surrealistic setting had a far-reaching influence on science fiction and fantasy TV programming, and on narrative popular culture in general.[4] A TV miniseries remake aired on the U.S. cable channel AMC between 15 and 17 November 2009.[5] This was followed in 2015 by a four-episode audio series from Big Finish Productions, containing one original story and adaptations of three previously seen episodes; a second volume was announced for 2016. |
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Plot summary
See also: The Village (The Prisoner) and List of The Prisoner episodes The series follows an unnamed man (played by Patrick McGoohan) who, after abruptly and angrily resigning from his job, apparently prepares to make a hurried departure from the country. While packing his luggage, he is rendered unconscious by knockout gas piped into his London flat. When he wakes, he finds himself in a recreation of his apartment, located in a mysterious seaside "village" within which he is held captive, isolated from the mainland by mountains and sea. The Village is further secured by numerous monitoring systems and security forces, including a sinister balloon-like device called Rover that recaptures—or kills—those who attempt escape. The man encounters the Village's population: hundreds of people from all walks of life and cultures, all seeming to be peacefully living out their lives. They do not use names, but have been assigned numbers which give no clue as to any person's status within the Village, whether as inmate or guard. Potential escapees therefore have no idea whom they can and cannot trust. The protagonist is assigned Number Six, but he repeatedly refuses the pretense of his new identity.[citation needed] Number Six is monitored heavily by Number Two, the Village administrator, who acts as an agent for an unseen "Number One". A variety of techniques are used by Number Two to try to extract information from Number Six, including hallucinogenic drug experiences, identity theft, mind control, dream manipulation, and various forms of social indoctrination and physical coercion. All of these are employed not only to find out why Number Six resigned as an agent, but also to elicit other purportedly dangerous information he gained as a spy. The position of Number Two is filled in by various other characters on a rotating basis. Sometimes this is part of a larger plan to confuse Number Six; at other times, it seems to be a change of personnel made as a result of failure to successfully interrogate Number Six.[citation needed] Number Six, distrustful of anyone involved with the Village, refuses to co-operate or provide the answers they seek. He struggles, usually alone, with various goals, such as determining for which side of the Iron Curtain the Village works, if indeed it works for any at all; remaining defiant to its imposed authority; concocting his own plans for escape; learning all he can about the Village; and subverting its operation. His schemes lead to the dismissals of the incumbent Number Two on two occasions, although he never escapes. By the end of the series, the administration, becoming desperate for Number Six's knowledge as well as fearful of his growing influence in the Village, takes drastic measures that threaten the lives of Number Six, Number Two, and the rest of the Village.[citation needed] A major theme of the series is individualism, as represented by Number Six, versus collectivism, as represented by Number Two and the others in the Village. McGoohan stated that the series aimed to demonstrate a balance between the two points.[6] |
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McGoohan stated that the series aimed to demonstrate a balance between the two points.
Well blow me down It's obvious why they picked him for the lead coming out with stuff like that. A balance between two points eh? And here's me thinking it was about an ex-spy trying to escape and them trying to find out why he resigned. And all the time the programme makers were only concerned with demonstrating a point. I don't suppose it made any money? That's the last thing they'd be concerned about - I don't think! |
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Thought this was a cell block h thread
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No subtitles.
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Give Wayward Pines a watch if you like a similar vein. Great twist towards the end as well.
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In one episode - maybe arrival? he opens the kitchen cupboard and it's all saver range tins from the 1990's - white tins with a yellow circle saying stew or beans. they knew what was coming.
my theory about the prisoner. McGoohan played John Drake Dangerman.the spy. So he's had a mental breakdown. Being a spy he starts to see everyone as an enemy agent. Number 2 would be various doctors that come in and see him. The big bubble that attacks would be a psychotic episode. a blackout. He thinks about escaping the asylum. they keep asking him why he resigned ( why he gave up ) he keeps asking who is number one. he has a cowboy fantasy episode. he reverses the doctor's role turning him into a madman too. Finally he's starting to become sane again by becoming number one. By putting himself first. He's number one. then he returns home. But McGoohan says it's just a load of weirdness. no decent explanation. let's watch the baron. |
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Great theme music.
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Is this the episode where Leo McKern sings ''Humpty Dumpty sat on the wall.''
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i think that's the second last episode. once upon a time?
i taped it in betamax, in 1984? when they screened it on ch4. i even wrote to charlotte street, because i missed and episode after the timer record failed. that was a waste of time. they wrote back saying they wouldn't be showing it again. |
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Thanks for that zorro,
Be seeing you. |